I am a curator and art historian based in London, currently completing an MA in Curating Contemporary Art at the Royal College of Art. My practice focuses on socially engaged art, decolonial curating, and forms of public programming that foreground collaboration and collective knowledge.
Following Fallowing (2026), developed with RCA SustainLab, reflects my interest in research-led and process-oriented exhibition making. The project engages with ideas of rest, regeneration, and ecological thinking, considering “fallowing” as both an agricultural practice and a curatorial methodology, one that values pause, care, and the conditions that allow for future growth.

I previously completed a BA in History of Art at the Courtauld Institute of Art, graduating with First-Class Honours. Alongside my studies, I have gained experience across galleries including Elena Geuna Studio, Sprovieri, and Sprüth Magers, supporting exhibition development, research, and artist liaison.

My wider practice is informed by socially engaged work in healthcare contexts in Italy, which continues to shape my commitment to art as a space for dialogue, attention, and shared experience.